The Portrait Society's 2003 Portrait Academies
Youngstown Portrait Academy
with Burton Silverman and
Jada Rowland
October 18-19, 2003
By Judith B. Carducci
There
could not have been a better venue for a program on portraiture, than at the renowned Butler Institute of American
Art in Youngstown, Ohio. The Butler had hosted a Retrospective show of Silverman's work a few years ago, and
several of his paintings are in its permanent collection, so this was a homecoming of sorts for him.
In addition to professional artists, there were several high school and college students in attendance, keeping
with the Portrait Society's commitment to nurture the next generation. The group gathered in the museum's intimate
theater to watch Silverman at work on Saturday, and Sunday his student, Jada Rowland, painted a portrait of
the teacher.
Rowland's demonstration showed how to paint a moving sitter from life as she did a full-face portrait in a
casual pose of Silverman as he kept up a running conversation with the audience. Both Rowland and Silverman
repeatedly emphasized the importance of drawing skills. Silverman stated several times, "one must be able
to draw before one can become a painter."
Have you ever considered portrait painting as an exercise in "tact"? Fellow attendee and award-winning
artist Linda Hutchinson brought back that concept to explore how to incorporate it into her future painting
after Silverman discussed the importance of "living and viewing tactfully, slowly, carefully leaving something
unsaid to be discovered by the viewer."
Those in attendance had nothing but positive things to say about their experiences at the Portrait Academy.
Professional artist Tricia Kamen was impressed with Silverman's willingness to rework and struggle with a painting.
The knowledge gave her hope, that the struggle "goes along with the territory" of being an artist.
Portrait painter Dino Massaroni summed up the experience: "Priceless...We learn best by example."
And national watercolorist Don Getz said, "I want to see more of these!"
A bonus for attendees was the Retrospective show of Richard Schmid's work, which was in its last weekend at
the Butler. This as well as the opportunity to browse the Butler's marvelous permanent collection made the weekend
inspiring and unforgettable.
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