Judith Carducci, Chair of the Cecilia Beaux Forum, opened the Third
Annual Meeting with a welcome to all supporters of the Forum's mission,
emphasizing the importance of the Forum's mission and activities
to the future of figurative art as a whole. She continued by sharing
the Forum's official mission, reaffirming the purpose of the committee
for all in attendance. Continuing, Judith introduced each of the
three Committee Heads and invited them to discuss their committee's
recent activity and plans for the coming year.
Luana Luconi Winner, Head of the Literature Committee, began by
thanking each of the Literature Committee members for their contributions
over the past year. She recognized Pat Aube Gray for Patricia Watwood
and Elizabeth Vigee-LeBrun, Angelo Fernandez for Lavinia Fontana,
and Terry Stanley for Dawn Whitelaw. Luana, herself interviewed
Mary Minifie for the issue released at the conference. Luana continued
by thanking her committee for additional contributions of book reviews
and announced plans for upcoming articles to include Dame Laura
Knight and German sculptor, Clara Westhoff.
Next Teresa Spinner, the Head of the Exhibition Committee, shared
appreciation for her committee members' dedication and hours of
hard work over the past year on the development of a new exhibition
highlighting the impact and influences of women artists in the realist
tradition. To an eager audience, Teresa announced exciting news
that the initial planning had been completed and a venue secured
for the exhibition. The Cecilia Beaux Forum's landmark exhibition
will be held at the Butler Institute of American Art in the fall
of 2010.
Last, Kay Polk, Head of the Mentoring Committee announced the culmination
of her committee's work, the inaugural year of a formal Mentoring
Program to pair women artists with experienced working professionals
for continuing guidance. The first participants in this program
were announced and welcomed: Elahe Crockett paired with Gordon Wetmore,
Julia Bythewood Hodges with Margaret Carter Baumgaertner, Sandra
Templeton Potter with Everett Raymond Kinstler, and Marina Dieul
with Juan Martinez. All applicants to the Mentoring Program received
feedback and positive return for their efforts in applying. Five
professional artists spent several weeks reviewing and formally
critiquing applicants portfolios, so that, once returned, not only
did applicants have a portfolio which would meet the specifications
of a portrait broker or agent, they also received several pages
of constructive feedback from seasoned professionals to assist them
in continuing to grow through their work.
Concluding the meeting program, Michele Rushworth discussed the
meteoric success of her portrait business, giving tips on growing
a client base, refining your technique and developing successful
business practices. Michelle shared the story of how, through hard
work, professional advice and business acumen, she was able to grow
her business from having almost no commissions to a two-year waiting
list in only a couple years. Michele detailed her methods in a handout
which is available on the Forum's Archive page.
View the digital presentation which accompanied the 2008 Annual
Meeting:
Mentoring Program
The Mentoring Program is a project of the Cecilia Beaux Forum developed
to advance the aesthetic and technical growth of figurative artists
in America. This is achieved by fostering relationships between
individual established artists and advanced emerging artists. From
self and external critique of portfolios, to refinement of work
habits and guidance on individual works, the Mentoring Program seeks
to build a synergy of methods cultivating a healthy artistic practice
in every level of growth and development.
The Mentoring Program is designed to promote:
o Focused artistic development
o Time management
o Personal archiving
o Self-critiquing skills
o Gathering creative and technical resources
o Self-reliance
The 2009 Mentoring Program Prospectus and Application will be available
after the first of the year. For more information, the 2008 Prospectus
and Application materials are available on the Archive
page.
Exhibition Celebrates Women Artists
The Exhibition Committee is pleased to announce the location
and dates of the Cecilia Beaux Forum's first exhibition of women
artists' work. The Butler Institute of American Art, in Youngstown,
Ohio, is hosting WOMEN'S WORK, A Comprehensive Look at the
Influence and Inspiration of America's Foremost, Female, Figurative
Artists in conjunction with the Cecilia Beaux Forum, in
the Fall of 2010.
WOMEN'S WORK explores the distinctive influence of female artists
and their continued importance in the development of American figurative
art and portraiture. Selected works from a juried competition juxtapose
a collection of figures by historic and invited artists, bringing
together a spectrum of artwork which chronicles the development
and groundbreaking impact of American women artists.
In total, WOMEN'S WORK includes 35 figurative artworks by American
women artists, including sculptures, prints, ink and charcoal drawings
and paintings. The exhibit is presented in three parts:
o Juried artworks by noteworthy contemporary, American women
artists selected by a panel of three jurors from all received entries.
o Invitational works by outstanding contemporary, women
figurative artists
o Figurative works by historic women artists who significantly
influenced figurative art drawn from the Butler Institute and other
area museum collections.
You are invited to join us at this landmark exhibit, expanding
the public's understanding of women artists' contributions to the
world of figurative art and portraiture at:
The Literature Committee is hard at work on articles for the 2009
editorial year. In the next year, Portrait Society members can look
forward to biographical articles on Invitational artists from the
Forum's 2010 exhibition, Women's Work, Betsy Graves Reyneau, Rosalba
Carriera, and others.
Miss an article? Now read biographic articles on Patricia Watwood,
Mary Minifie, Cecilia Beaux, Dawn Whitelaw, Elizabeth Vigee-LeBrun,
Malvina Hoffman and others on the Forum's Archive
page.
The Portrait Society of America is a not-for-profit organization
directed by a governing board of artists dedicated to
fostering and enhancing the practice, aesthetics and applications of traditional,
fine art portraiture.
Membership is open to all individuals with an interest in the art of the portrait.